Revisiting Post-Cultural Imperialism: Singing Vernacular Modernity and Popularising Malaysian Cultures through the Music Industry and Music Education Te (De-) and (Re-) Mythifcation of OPM: Decentring a Popular Music Sign Revisiting the “Traditional” and the “Popular” in Maritime Southeast Asia:Ĭolonialism and Identity: A Short History of Popular Music in the Philippines Part I: Issues in Nusantara Popular Music Introduction: Popular Music as a Means of Conceptualising the Nusantara Popular music–Social aspects–Southeast Asia–History.Ĭlassifcation: LCC M元502.A7 (print) | LCC M元502.A785īy Deanta Global Publishing Services, Chennai, Indiaįor Rose, Tawan, Nabilah, Asha and Ashman Subjects: LCSH: Popular music–Southeast Asia–History and criticism.
#Lagu nasyid kontemporari series
Series: Routledge global popular music series | Includes bibliographical Title: Made in Nusantara: studies in popular music/edited by Adil Johanĭescription: | New York: Taylor & Francis, 2021. Library of Congress Cataloging-in-Publication Data Registered trademarks, and are used only for identifcation and explanation Trademark notice: Product or corporate names may be trademarks or Known or hereafer invented, including photocopying and recording, or inĪny information storage or retrieval system, without permission in writing Utilised in any form or by any electronic, mechanical, or other means, now No part of this book may be reprinted or reproduced or
Santaella to be identifed as theĪuthors of the editorial material, and of the authors for their individualĬhapters, has been asserted in accordance with sections 77 and 78 of theĪll rights reserved. © 2021 selection and editorial matter, Adil Johan and Mayco A. Routledge is an imprint of the Taylor & Francis Group, an informa business SantaellaĢ Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Made in Nusantara: Studies in Popular MusicĮdited by Adil Johan and Mayco A. Made in Finland: Studies in Popular MusicĮdited by Toni-Matti Karjalainen and Kimi Kärki Made in Ireland: Studies in Popular MusicĮdited by Áine Mangaoang, John O’Flynn and Lonán Ó Briain Made in Germany: Studies in Popular MusicĮdited by Oliver Seibt, Martin Ringsmut, and Davil-Emil Wickström Made in Yugoslavia: Studies in Popular MusicĮdited by Danijela Š.
Made in Hong Kong: Studies in Popular Music Made in Australia and Aotearoa/New Zealand: Studies in Popular MusicĮdited by Eva Tsai, Tung-Hung Ho, and Miaoju Jian Made in Turkey: Studi es in Popular Music
Made in the Low Countries: Studies in Popular MusicĮdited by Lutgard Mutsaers and Gert Keunen They write, this series is devoted to popular music largely unknown to Anglo-American readers.Įdited by Gérôme Guibert and Catherine Rudent Written by those living and working in the countries about which Te series of volumes can be used for academic teaching in popular music studies, or as aĬollection of reference works. Musicologists with a well-informed and up-to-date introduction to diferent world popular music Te Routledge Global Popular Music Series provides popular music scholars, teachers, students, and Gofredo Plastino, Newcastle University, UK Series Editors: Franco Fabbri, Conservatorio di Musica Arrigo Boito di Parma, Italy, and Santaella is an associate professor and head of the Film and Performing Artsĭepartment at Sunway University, Malaysia. In the West, rendering it an intriguing read for students and scholars of popular and globalĪdil Johan is a research fellow at the Institute of Ethnic Studies (KITA), Universiti Kebangsaan The history and analysis of popular music and critically considers conceptualisations developed Written by scholars working in the region, Made in Nusantara brings local perspectives to Popular music 2) history 3) artists and genres and 4) national vs. Trough a critical investigation of specifc genres and their spaces of performance, production, and consumption, the volume is organised into four thematic areas: 1) issues in Nusantara The Nusantara region including Malaysia, Indonesia, Brunei, Singapore, and the Philippines. Made in Nusantara serves as a comprehensive introduction to the history, sociology, ethnography, and musicology of historical and contemporary popular music in maritime Southeast Asia.Įach essay covers major fgures, styles, and social contexts of genres of a popular nature in
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